Effect of Stage Volume Ratio on Audience Acoustics in Concert Halls

Architectural Acoustics: Acoustics of Concert Halls II

Some high-resolution direction-of-arrival DOA estimation methods, such as the MUSIC method, have been developed based on vectorsensor array. However, these high-resolution methods suffer from serious drawbacks. Indeed, they are not able to estimate coherent signals and sensitive to calibration errors. Mainly to overcome these limitations and in particular to satisfy practical engineering applic...

Audience noise in concert halls during musical performances.

Noise generated by the audience during musical performances is audible and sometimes disturbing. In this study, an attempt to estimate such audience noise was carried out. From the recordings of performances in five performance spaces (four concert halls and one opera house), probability density functions of the sound pressure levels were obtained in octave bands, which were fitted with three G...

Acoustics of concert halls with organs in Russia: trends and problems

Optimal Volume for Concert Halls Based on Ando’s Subjective Preference and Barron Revised Theories

The Ando-Beranek’s model, a linear version of Ando’s subjective preference theory, obtained by the authors in a recent work, was combined with Barron revised theory. An optimal volume region for each reverberation time was obtained for classical music in symphony orchestra concert halls. The obtained relation was tested with good agreement with the top rated halls reported by Beranek and other ...

Wheel of Concert Hall Acoustics

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